“The Yellow Wallpaper” by Charlotte Perkins Gilman is a perfect example of the symbolism in the literature. The vacation was also intended to make the wife get better but her feelings about the place were ignored. Despite the fact that the storyteller was crazy at this point, the reader can gather that by securing herself in the room and her family out, she felt safe there. Ohio University Press. Retrieved 29 April 2009 from When John finds her, with all the decoration torn to pieces, the woman vigorously shouts out: “I’ve got out at last (…) in spite of you and Jane.

“John laughs at me, of course, but one expects that in marriage”(Gilman, 1899, 1). “I have finally found out. The bars represent the hindrances, the blockages to all the things women want to do in their lives.


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It goes without saying that as a result women were helpless and oppressed. As her mental disorder progresses, she starts suffering from hallucinations and finally concludes that actually there is a logic in the paper’s pattern. The individuals who trust that the narrator’s room is an image of detainment may see the room along these lines as a result of its dullness, the way that the bed is fastened to the floor, and the truth of the storyteller not being allowed to leave the room. The protagonist is engrossed in it and feels an uncanny connection to it. Charlotte Perkins Gilman wanted to communicate that with her readers of the controversial short story, “The Yellow Wallpaper” (1899). The symbols displayed in “The Yellow Wallpaper” give the story a stronger underlying meaning, and to the narrator, by her audience, a sense that she was not completely insane, but a woman who found independence in something as ugly as yellow wallpaper. It was no wonder that the narrator made many similar comments expressing her resentments for being deprived but realizing that she could not do anything about it. Although John unquestionably loved his wife, the male supremacy that the society built on him throughout his life, made him forget many things. Gilman’s time was also the time of Jane Austen, Mary Shelley, Florence Nightingale: women who used their abilities to write to express the sentiments of women who succumbed to gender discrimination for centuries (Nightingale, 1992). That was an allegory (Todorov, 1984, 205) expressing helplessness for being deprived of freedom. This pattern mirrors the narrator’s own daily movements. It was an old enduring cultural practice and the narrator knew that her appeals would be in vain. The racism is in a way encoded in the wallpaper. In "The Yellow Wallpaper," moonlight represents a time for the feminine. The images shown in “The Yellow Wallpaper” give the story a more grounded basic significance, and to the narrator, by her, a feeling that she was not totally insane, but rather a woman who discovered freedom in something as monstrous as a yellow wallpaper.

Jane slowly looses the contact with reality, retreats into her obsessive fantasy. Therefore, according to Horvitz, we may state that the narrator’s descent into nervous depression is in metaphorical terms a kind of escape to an utopian word in which there is no yellow, stained and smelly wallpaper, and in consequence no presence of other race. 1913. Varying interpretations may emerge from this striking story, but Gilman was right. “He is very careful and loving, and hardly lets me stir without special direction” (Gilman, 1899, 1). He realized that she was resentful about the paper and still would not transform it. It is only her who can see the woman, and therefore, the woman’s only chance to set her free.

After studying and interpreting Charlotte Perkins Gillman’s short story ‘The Yellow […], Gender equality has been a prevalent theme writer’s use to deliver their own personal views on the female role in society. He asks her not to write, think about [...], In the short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman was a story about the feminist literature and what it was like for women in the nineteenth century.

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