The setting was deep down in Sub-Saharan Africa for the shooting of The African Queen (1951), co-starring a pair of Hollywood legends, Humphrey Bogart and Katharine Hepburn. FILM STAR Her dad is a stage manager and producer, while her mom is a director and script supervisor. But unlike writers, directors sometimes helm all 22 episodes of a season — it's just too much work. In their second year, those numbers jump to $38.09/hour or $2,253.95/week. "Either you're paying for a modern master, or you're paying a lot less. Big names like Freeman and Allen can command more than $1 million for an ad, which usually requires only a day's work. There's also overtime — a full day of pay for every hour after 16 hours — which has been known to happen on movie sets. Allen’s illustrious career as a script supervisor spanned six decades, with work on some of cinema’s most celebrated films, including The Third Man, The African Queen, … But established TV actors with virtually no big-screen experience can do very well. “Different performances can be chosen during editorial for releases in other countries to accommodate the target audience…. That select circle of top cinematographers would include 11-time Oscar nominee Roger Deakins, Gravity Academy Award winner Emmanuel Lubezki and Martin Scorsese's frequent collaborator Robert Richardson. But the real money is in writing an entire episode on one's own. And work, by the way, is getting harder to come by in L.A. thanks to productions moving to Louisiana, Georgia and other low-cost states, where local stunt workers grab most of the jobs. You're given a minimal stipend to compensate for missed wages, and that's pretty much it. “They have the questions and it’s up to me to give them the right answer.”. A trip out to Denham Studios where Olivier was shooting his Hamlet gave her the film bug; not long after she was working as a Continuity assistant/trainee at the altogether less glamorous Isleworth Studios, another corner of the Korda empire. That’s when I realized script/continuity ticks all the boxes: you have to be organized, have an overview of the entire production, make a sequence work in several aspects—you are holding it all together.”. See more 10 Highest Grossing Movie Sequels. How bad is the decline in actor salaries over the past decade?

But there's a "bump" of $50 a day for wearing a hairpiece, or if you're working in challenging conditions (rain, smoke). on They keep the set organized and make sure actors and props are where they’re supposed to be in a scene before the camera rolls.

Martin Scorsese’s long-time script supervisor Martha Pinson shows how to create continuity in movies. At some point in your career, you may take on a leadership role in some capacity. Mike "The Situation" Sorrentino spun six seasons on MTV's Jersey Shore into $9 million from endorsements of products including vitamins, clothing, jewelry and sunglasses. How to Become a Script Supervisor + Help a Project’s Continuity. But even first-year attorneys can do OK, earning $135,000 to $165,000 (enough to pay off law school). The real money in reality comes from parlaying your TV profile into something larger, the way Housewives star Bethenny Frankel managed to land that $100 million Skinnygirl deal in 2011.

Stewart grew up in a mansion in the Hollywood Hills, though she’s amassed her own fortune from her work as an actress. Your average studio chief — think Alan Horn, Brad Grey and Amy Pascal — earns a base salary of about $5 million. Now it's considered moving on up. Two years after that, she was given BAFTA’s Michael Balcon Award for Outstanding British Contribution to Cinema to add to a Queen’s Birthday Honours’ List MBE in 1996. Generally speaking, though, starting agents can expect to earn $50,000 to $65,000; more senior agents make around $200,000; partners make $400,000 to $700,000; and board members — like CAA's Bryan Lourd and WME's Patrick Whitesell and Ari Emanuel — can earn as much as $10 million. Jimmy Fallon is said to be making a little less annually than Jay Leno's$15 million for hosting The Tonight Show (and a lot less than the $25 million Leno made before he took a pay cut). It was like being back at school,” she laughs. Tracey Jacobs at UTA is said to be earning upward of $9 million — and she reps Johnny Depp. Antonia meets with Britain's most famous script girl Angela Allen whose credits boast major films such as The African Queen and The Third Man and working with Marilyn Monroe and Clarke Gable. ". Basically we're blue-collar workers who punch the clock. Beyond Continuity Script Supervision for the Modern Filmmaker Script Supervision for the Modern Filmmaker. Kelly Krieg, whose credits as a script supervisor include “Jurassic World: Fallen Kingdom” and “Doctor Strange,” began her career as a 3rd … She estimates the average working stunt person makes only $50,000 to $100,000 a year. 's 30-year host — in which case you take home the $10 million-a-year jackpot. 3 Show Biz Ties: The Hadids Unless, of course, you're Alex Trebek, Jeopardy! Just this summer, Oscar winner Halle Berry debuted on CBS' Extant, and this fall Katherine Heigl stars on NBC's State of Affairs, while Tea Leoni plays a better-dressed version of Hillary Clinton on CBS' Madam Secretary. BAFTA’s destination for youngsters to come and discover the magical worlds of film, television and games. Allen’s illustrious career as a script supervisor spanned six decades, with work on some of cinema’s most celebrated films, including The Third Man, The African Queen, The Dirty Dozen and Murder on the Orient Express. In their second year, those numbers jump to $38.09/hour or $2,253.95/week. Since most films are shot out of order, they also take notes during filming so it’s easier to organize footage chronologically and edit in post-production. More and more top stars are lending their voice to TV and radio commercials. STZENC (645), Wed, Nov 04 (“Fruitvale Station,” “Sorry to Bother You,” “The Haunting of Hill House”). Feature film writers' incomes continue to slide. She married television producer John Stewart in 1985 but the couple divorced in 2012.

“Trying to do Continuity when there were sometimes at least 12 men round a table is difficult enough but in this case it was also to do with Robert Aldrich’s ‘coverage’. to learn the basics of a film set, then move up into AD roles before becoming script supervisors. PUBLICIST $27K-$400K That's about $50,000 a film, assuming one works every day during a three-month shoot. But bonuses and other sweeteners (structured on box office and production output, among other factors) usually amount to two to three times that payday. In the early days of Cinema the script supervisor was usually called the script girl as the role was mainly associated with women. The Daily Show's Jon Stewart remains the top earner at $25 million to $30 million a year. And unlike agents, managers can produce projects, bringing in additional fees. Another modern day script supervisor Karen Jones whose film credits include Stage Beauty and Rush explains to Antonia some of the bizarre tasks and unique skills required to work in this area of film, along with her relationship with actors and directors and how the demands of the job envelope her life. LATE-NIGHT TALK SHOW HOST $3M-$30M Late night's recent round of musical chairs hasn't changed the pay all that much — unless you're Stephen Colbert, said to be in line to earn a bit more as David Letterman's replacement on CBS than the $15 million a year he gets from Comedy Central. Granted, that's an extreme example — Hill offered to do the part for scale (and got an Oscar nomination for his trouble). “Just about everyone on the set needs some kind of information from me,” says, , script supervisor on “The Hangover” and a 35-year-veteran of the job. On TV productions, the range is $5,000 to $8,000 a week. 9:00 AM PDT 10/2/2014

She shattered her pelvis; I jumped, flipped in the air and herniated a couple of disks." “I represent the editor on set, and I represent the director through my notes,” says Andrea Manners (“Fruitvale Station,” “Sorry to Bother You,” “The Haunting of Hill House”). But there's a limit to even the most successful porn star's earning power. “Carol directed everything, and I was so lucky at that stage to work with someone who knew exactly what he was doing. Find out more about the leading British charity that supports, promotes and develops the art forms of the moving image by identifying and rewarding excellence, inspiring practitioners and benefiting the public. We describe each scene and make notes on each take,” says Quintana. Jim Parsons, Johnny Galecki and Kaley Cuoco-Sweeting now will make $1 million an episode on The Big Bang Theory (up from $350,000). "Unlike mainstream performers," says Cachapero, "adult performers have less opportunity to diversify revenue by adding streams like merchandising and endorsements.". A screenwriter who sells a draft to a major studio can earn about $100,000, and a hot writer can score $1 million or more.

Filmmaking occupations. , script supervisors in their first year in the industry are guaranteed at least $35.78/hour as an hourly employee working 40 hours a week (with time-and-half after that) and $2,144.76/week as a weekly employee. That's more than most of the below-the-line talent featured in this story and twice as much as the average actor, who earns $52,000, according to SAG-AFRTA. Everything had to be 360 degrees. EXTRA $148 A DAY

But one dealmaker says no one is earning true first-dollar gross as in the old days. It used to be when movie stars did a TV show, it was seen as slumming. Moore also suggests that aspiring script supervisors break down the films they watch. But some big-name pilot directors (David Nutter, Jason Winer and Pam Fryman) get an executive producer credit and a stake in the show, which is how Bryan Singer is said to have made tens of millions for directing the pilot of House M.D.

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